Blazing a New Trail

Obi Kaufmann in his Oakland studio, shot by @thisismaiphotography for @clutchmagazinejapan.

Review By Paul Saffo.

John Muir would have loved “The California Field Atlas,” a compellingly poetic exploration of the living environment of his beloved adopted state. Muir famously observed that, “When we try to pick out anything by itself, we find it hitched to everything else in the Universe.” The “Field Atlas” is organized around the deep interconnections of life, geography and climate, echoing Muir’s intuition. As author Obi Kaufmann writes in his introduction, “I want to coax this single piece of the universe into opening up its secrets.”

Like Muir, both Kaufmann and his “Field Atlas” defy categorization. Muir was a naturalist, writer, geologist, botanist, inventor, engineer and environmentalist. Kaufman is a painter, poet, topographer, natural historian, activist and one-time tattoo artist who happens to have a love of science and a knack for calculus. Oh, and he’s a clothing designer, too (he’s selling a nifty tweed field coat straight from the 19th century). Like Muir, Kaufmann is a passionate hiker and explorer of California’s back country. “Field Atlas” draws from Kaufmann’s watercolors, maps and writings assembled over 20 years of his explorations.

The result is a book I can’t quite describe — and also can’t put down. And I am not alone; the entire 8,000-copy first printing of “Field Atlas” sold out in a matter of weeks after its November release, no small feat for a book that weighs two pounds and costs $45. A second printing was rushed out even as copies were being resold online for prices ranging from $145 to $1,500.

It is clear what this book is not. It is chockful of critter illustrations, but it most definitely is not a wildlife guide. The maps in the “Field Atlas” put trails front and center, but lack the detail to help a backpacker recover from a missed turn. “Field Atlas” is too heavy to carry on a day hike, much less on a through-hike on the Muir Trail. It is also too general to advise a hiker wondering about the name of a peak on the horizon or how to identify a bird flitting around a campsite. And, by the way, there is not a single road depicted on any map in the “Field Atlas,” so don’t count on it to help you get from home to your favorite trailhead.

This is a book about systems. Its chapters are organized around systems: of water and rivers, of wind and weather, of fire and forests, of deserts and wildlife. Humans are not excluded, but the “Field Atlas” exhibits a certain ambiguity regarding the human presence in California. Kaufmann notes that humans have been present in California for at least 15,000 years and expresses the expectation that they will be present for at least another 15,000 years. An entire chapter of the “Field Atlas” is devoted to a county-level description of California’s natural environment. But one cannot escape the sense that Kaufmann would be happier if everyone who headed toward California after 1530 had turned back.

The “Field Atlas” is a book best read at home while contemplating the subtle interdependencies of California’s wildlands or planning one’s next backpacking trip. It will also fit nicely in a glove compartment, at the ready to reveal the deep story behind the landscape on the other side of the windshield. The “Field Atlas” won’t help the lost find their way home, but it might lead them to realize they were never lost to begin with.

There is one question I can’t shake. Is the “Field Atlas” a one-off, or the first exemplar of a new genre? I suspect that it is the latter, a tome that will inspire others to follow the trail Kaufmann has blazed. California has a proud history of birthing new environmental genres, including the legendary “California Water Atlas” (published in 1979) and the extraordinary series of coffee table books published by the Sierra Club in the late 1960s, which individually led to the creation of new national monuments and collectively helped launch the modern environmental movement. Leafing through Kaufmann’s “Field Atlas,” I can’t help but wonder who it will inspire and what will follow. 

Page 159 of Clutch Magazine Japan, June 2018 – the first inprint mention of the California Lands Trilogy – coming 2019



Categories: PRESS